In From the Archives and From the Archives 2 we looked at some work that I felt might have been missed or passed over. Being prolific has its downsides.
In From the Archives 3 we're going to look at work made over the winter of 2012. Having just retired the year before I was free to make new work. The year before I had been invited to present at the Yuma (AZ) Art Symposium, a remarkable meeting of all kinds of artists, including pin makers and jewelry artists.
After that brief exposure. to Yuma, I decided to spend most of the next winter living there. This turned out to be a very productive time. Here are a few:
Castle Dome Mine Museum
Goldfield Ghost Town
As is often true for many of my series, Salton Sea had concurrent ideas going on at the same time. The dystopian view of a wasteland fecund and irredeemable, and an experiment of color and black and white coexisting. I could feel my teachers rolling over in their graves as I worked on the files back in Cambridge.
And last, the first year of making the Dunes pictures started that winter. The next year I spent time in San Diego with much less photographic success but did drive back to Yuma for ten days to complete the Dunes project, aerial and ground-based imagery from the Imperial Sand Dunes in California, just over the border from Yuma.
Just like Iceland would be for me two years later, I found the dunes a revelation; abstract, otherworldly, and very beautiful. Being freed from teaching and no longer having the duties of a full professor at a large urban university not only made going away possible but also allowed freedom of thought and immersion in what it is that I do, which is photograph.